For months I’ve been working on The Illustrated Declaration of Arbroath, a unique illustrated book to coincide with celebrations of the document’s 700th anniversary in 2020. Today I released behind-the-scenes images from the ‘Declaration Studio’, which has been set up at Saltire Society Headquarters in Edinburgh, as well as a short teaser film on social media.
This will be the first book to take a creative rather than an academic approach to the Declaration of Arbroath. I hope it shows Scottish history in a new light and brings one of our most ancient artefacts to life in new and unexpected ways.
This new book will also explore the legacy of the Declaration, including its influence on Scottish political traditions and how it has been commemorated at previous anniversaries. So many of Scotland’s cultural and political ideas can be traced back to the contents of the Declaration. It’s one of the earliest foundation stones of Scottish nationhood, and I can’t wait to share it with others, renewed and reinvented.
The finished book is due to be released by the end of 2019, in the run-up to a programme of events and exhibitions for the 700th anniversary in April 2020. I’m hugely excited to be taking part in what will be an important anniversary in Scottish history.
With thanks to Pict Digital for the film and photography.
For me 2018 began with ‘Pith & Power’, an illustrated exhibition exploring Robert Burns’ relationship with politics and power at the Saltire Society in Edinburgh. It ran January – March and was a great opportunity to get people talking about the Bard. See more about the exhibition here.
In August I announced my new book project, ‘The Illustrated Declaration of Arbroath’, a commemorative book for the Declaration’s 700th anniversary in 2020. The crowdfunded project reached its target in October. Thank you to all those who supported it. See more about the project here.
In November I really enjoyed putting together a new image to celebrate St Andrew’s Day. It depicts St Andrew with his fishing net, his X-shaped Saltire and St Andrew’s Cathedral in the background.
In 2019 I’ll be focused on ‘The Illustrated Declaration of Arbroath’, combining text and illustration to tell the story of one of Scotland’s most important artefacts. Thank you to all those who have supported my work so far, and wishing you all a Happy New Year!
In 2020 Scotland will celebrate the 700th anniversary of the Declaration of Arbroath, one of the most significant artefacts in our nation’s history.
I am looking to raise funds to produce an illustrated book which will be published by the Saltire Society, one of Scotland’s leading cultural bodies. Click here to donate.
“It is in truth not for glory, nor riches, nor honours that we are fighting, but for freedom – for that alone, which no honest man gives up but with life itself.”
The Declaration of Arbroath, also known as the Declaration of Scottish Independence, was a diplomatic letter from the Scots to the Pope in 1320, calling for Scotland to be recognised as an independent kingdom against English claims of overlordship. It is thought to be one of the earliest written arguments for popular sovereignty and one of the most significant statements of nationhood in Europe.
The Declaration is one of the primary foundation stones of Scottish identity, but its influence is international – the text is believed, for example, to be one of the inspirations behind America’s own Declaration of Independence. In 2016 the Declaration was also awarded ‘Memory of the World’ status by UNESCO World Heritage.
The Illustrated Declaration of Arbroath will offer a unique, artistic and visually striking interpretation of this 700-year-old artefact in a way which is fit for the 21st century. It will bring the artefact to life, highlighting its cultural significance as well as its contemporary relevance. It will examine ideas of community and people-power, and ask what ‘freedom’ means in today’s world.
The book will be published by the Saltire Society, one of Scotland’s leading cultural bodies. The finished product will be a well-designed hardback book mixing text and illustrations. Click here to donate.
I’m looking to raise funds to contribute towards the following:
Materials and labour for the creative work (paper, ink, time spent on writing and drawing)
Occasional research trips to Arbroath (meeting partners, studying library archives)
The cost of printing the final book
Promotional materials to raise awareness (leaflets, posters)
Short promotional film (for use on social media and for screening at events)
Supporters who donate £20 can claim a finished book from the ‘perks’. Please note the £20 is part of the fundraising drive and the final book may eventually be on sale for less.
Supporters who donate £50 can ‘Sign the Declaration’, meaning their names will be printed in the final book’s acknowledgements. As well as being thanked in print these supporters will also receive a signed copy of the book.
The intention of the project is to establish a broader understanding of the Declaration of Arbroath outside of academia. The book and corresponding artwork will expose aspects of Scottish history which I hope people will find new and interesting. This project has an educational and awareness-raising element rather than being solely artistic. It will demonstrate how the early ideas and principals of the Declaration shaped Scotland, and why it still matters in the modern world.
About the Artist
My name is Andrew Redmond Barr and I’m a writer and illustrator with an interest in Scottish history and literature. I have experience in producing books, promoting Scottish culture and creating illustrated exhibitions.
In 2011 I was one of the co-founders of the arts campaign National Collective.
In 2016 I released my first book, Summer of Independence: Stories from a Nation in the Making (Word Power Books), a grassroots account of the 2014 independence referendum which featured in The Scottish Review of Books’ Picks of 2016.
In 2018 I held a solo art exhibition, ‘Pith & Power’, at the Saltire Society in Edinburgh exploring Robert Burns’ relationship with politics and power.
“The writer has a keen sense of power dynamics, history and literature, but more importantly he has imagination and talent. We can have faith in Scotland’s future with young writers like this.” – Meaghan Delahunt
Other Ways You Can Help
If you’d like to support this project but can’t donate, I’d appreciate your help in getting the word out. Please consider sharing the link with your networks, and follow me on social media for updates:
Two months ago today I launched Pith & Power, an illustrated exhibition celebrating the life and works of Robert Burns at the Saltire Society in Edinburgh.
Most Saturdays I sat in the exhibition, working on new illustrations and speaking to visitors. I spoke to locals as well as people from many other countries, keen to find out more about Scotland’s famous bard.
International knowledge of Burns was more widespread than I anticipated. An environmentalist from Germany told me how ‘To a Mouse’ gave her a deep love of nature. A Canadian couple told me how Burns Nights brightened their winters back home. A Danish family spoke to me about the similarities between Scots and Scandinavian languages. A French historian recognised the spirit of Liberté, égalité, fraternité in ‘A Man’s A Man’.
What people said they liked about Burns was that distinctness of Scottish culture mixed with an international outlook. Some remarked how different this was to their perception of Britain in recent months. Burns, to them, indicated that Scotland had its own distinct contribution to make to the world. The Scots language was no real barrier to their understanding of his work. In fact it made their understanding all the more profound.
It has been a pleasure to hold this exhibition at the Saltire Society, and to have so many conversations about Burns, politics, language and culture with such a broad variety of people from all over the world. The Saltire Society are a real asset to Scotland’s cultural life and have been kind and accommodating hosts. For me the exhibition has been a valuable opportunity to showcase a side of Burns often lost in traditional Burns Suppers, and it has kept me busy through the winter. Now the snow has thawed and the spring is finally here, and there’s much more work to be done.
P.S. A highlight for me was being interviewed by the Scots Language Radio, a video of which can be found below.
How did Scotland lose its independence in the 18th century? And what did Robert Burns have to say about it? It’s one of the subjects of ‘Pith & Power’, a new exhibition on display at the Saltire Society in Edinburgh which examines Burns’ relationship with politics and power.
In 1707 a Treaty of Union was proposed to unite England and Scotland into Great Britain, ending centuries of Scottish independence. Burns famously criticised Scotland’s parliamentarians who accepted the Treaty, calling them ‘a parcel of rogues’ and accusing them of accepting bribes.
But pith and power, till my last hour,
I’ll mak this declaration;
We’re bought and sold for English gold
Such a parcel of rogues in a nation!
When the Union took effect on 1 May 1707 the bells of St Giles’ Cathedral rang to the tune Why should I be so sad on my wedding day? capturing the sorrowful mood of the population. Several towns and cities were also overrun with protesters.
On the same day a number whales took a wrong turning in the Firth of Forth and beached themselves on the coast of Kirkcaldy. According to tradition the number of whales matched the number of parliamentarians who approved the Treaty, and this was taken as an ill-omen for the Union. Six years later Scottish MPs made an unsuccessful attempt to reverse the Treaty, arguing it had not brought the expected benefits to Scotland.
Following the Act of Union many Scottish writers began to drop their distinct Scots language as English became the dominant language of business and government. Burns rejected this idea and worked to emphasise the distinctness of Scots culture and literature.
In his ‘Address to Edinburgh’Burns is excited by the effect the Scottish Enlightenment on Edinburgh. He talks of a new spirit of ideas, particularly around justice, learning and science. But he also laments Edinburgh’s loss of capital status in the aftermath of Union, mourning the city’s loss of ‘Legislation’s sovereign pow’rs’.
‘Pith & Power‘ is on display at the Saltire Society in Edinburgh, Mon – Thurs, 12-4pm till 15 March 2018. Free entry.
Like brethren wi’ a common cause, We’d on each other smile, man; And equal rights and equal laws Wad gladden every isle, man.
Discover the political poetry of Robert Burns with Pith & Power, a brand new exhibition launching at the Saltire Society in Edinburgh on 25 January 2018.
Burns was a humanitarian poet who wrote against oppression and injustice. Pith & Power aims to rediscover the profound meaning behind Burns’ poetry, examine his relationship with power and celebrate his ongoing influence in the Scottish imagination.
Exhibition open 25 January – 15 March, Mon – Thurs, 12pm – 4pm, and the first two Saturdays (27 Jan and 3 Feb, 12pm – 4pm). Free entry.
Launch event: Join us at 7pm on Burns Night, 25 January 2018 for the launch of Pith & Power. Reserve free tickets by calling 0131 556 1836 or emailing firstname.lastname@example.org
Find the Saltire Society at 9 Fountain Close, Edinburgh. Enter via Tweedale Court or Fountain Close opposite Scottish Storytelling Centre.